History 332:  German History

From: http://www.wsu.edu:8080/~brians/hum_303/nietzsche.html

The Influence of Nietzsche

by

Paul Brian, Washington State University

Friedrich Nietzsche (1844-1900) was notoriously unread and uninfluential during his own lifetime, and his works suffered considerable distortion in the hands of his sister Elisabeth, who managed his literary estate and twisted his philosophy into a set of ideas supporting Hitler and Nazism (Hitler had Thus Spoke Zarathustra issued to every soldier in the German army). By far his most often quoted utterance--seldom understood--is "God is dead," which placed his thought beyond the pale for many readers.  

But Nietzsche's influence has been much richer and varied than these simple stereotypes suggest. It is not surprising that an author who embraced such contradictions should have influenced thinkers of an extraordinary variety.   

 

Philosophy

The only philosopher to feel his influence while he could be aware of it was the Danish critic and philosopher Georg Brandes (1842-1927), who in the late 1880s developed a philosophy which he called "aristocratic radicalism" inspired by Nietzsche's notion of the "overman." Nietzsche's insistence that the decay of religion (the "death of God") requires that humanity take responsibility for setting its own moral standards inspired existentialists from Karl Jaspers (1883-1969) and Martin Heidegger (1889-1976) to Albert Camus (1913-1960).

 

Nietzsche's relativism has had a powerful influence on two of the most important modern French Deconstructionist philosophers, Jacques Derrida (b. 1930) and Michel Foucault (1926-1984).

 

Oddly enough, he has also been a powerful influence on certain theologians, notably Paul Tillich (1886-1965), who developed an Existentialist, human-centered theology which tried to salvage elements of traditional faith while drawing on rationalism. Thomas Altizer (b.1927) created a sensation (and found himself on the cover of Time) in the 1960s by helping to create the oxymoronically named "death of God theology" together with a number of other theologians who argued for religion without God. Their constant use of Nietzsche's catch phrase is a reminder of their indebtedness to him. Although the direct influence of this school hardly lasted out the decade, other theologians used Nietzsche's thought as well, notably embracing his idea that human values should be based not on denial ("thou shalt not") but on affirmation ("thou shalt"). The Jewish theologian Martin Buber (1878-1965)--also a great influence on Christian theology--translated part of Thus Spoke Zarathustra into Polish. He read Nietzsche's works very early, beginning in 1892. His emphasis on process in theology resembles some of Nietzsche's ideas.

 

Although he did not draw directly on Nietzsche's work, the notions of "creative evolution" espoused by Henri Bergson (1859-1941) had a powerful influence on the Greek writer Nikos Kazantzakis (1885-1957), who combined his studies under Bergson with his reading of Nietzsche to produce a version of what is known as "process theology" which is most readily studied in the little book The Saviors of God and is also expressed in his most popular novel, Zorba the Greek. According to Kazantzakis, God is the result of whatever the most energetic and heroic people value and create. This is clearly very similar to Nietzsche's ideas about the sources of religion. Nietzsche's notion of heroes as creators is at the heart of Kazantzakis' philosophy.

 

Psychology

 

The two grandfathers of modern psychology, Sigmund Freud (1856-1939) and Carl Jung (1875-1961), both had a deep admiration for Nietzsche and credited him with many insights into the human character.

 

Alfred Adler (1870-1937) developed an "individual psychology" which argues that each individual strives for what he called "superiority," but is more commonly referred to today as "self-realization" or "self-actualization," and which was profoundly influenced by Nietzsche's notions of striving and self-creation. The entire "human potential movement" and humanistic psychology (Abraham Maslow, Carl Rogers, Rollo May, etc.) owes a great debt to this line of thought. Even pop psychologists of "self-esteem" preach a gospel little different from that of Zarathustra. The ruthless, self-assertive "objectivism" of Ayn Rand (1905-1982) is difficult to imagine without the influence of Nietzsche.

 

Fiction

 

Besides Kanzantzakis, many novelists have drawn on Nietzsche. Thomas Mann (1875-1955) wrote repeatedly about him and his characters are often engaged in struggles to define their ideas in a world in which old philosophies are decaying, like Nietzsche, torn between romanticism and rationalism (notably in The Magic Mountain). Hermann Hesse (1877-1962) similarly explored the necessity for the individuals to overcome their social training and traditional ideas to seek their own way (Steppenwolf and The Glass Bead Game).

Many other famous writers influenced by Nietzsche include André Malraux (1901-1976), André Gide (1869-1951), and Knut Hamsun (1859-1952).

 

Poetry

 

Given the poetic style in which he wrote, it is not surprising that numerous poets have been drawn to Nietzsche, including Rainer Maria Rilke (1875-1926). He, like many writers influenced by Nietzsche, rejected the kind of traditional Christian dualism which sorts existence into good and evil with the physical and earthly being regarded as a source of evil and goodness identified with pure spirit and the life after death. His celebration of mortal life as a sort of religion is extremely Nietzschean. He was also became lover of Lou Andreas-Salomé, a woman who ten years earlier Nietzsche loved unrequitedly.

 

Among many others, one can find strong Nietzschean themes in the works of Beat Generation poets such as Allen Ginsberg (1926-1997) and Gary Snyder (b. 1930), who were drawn to the vitalistic, anti-dualistic themes also earlier expressed in the English and American traditions by William Blake and Walt Whitman. Blake, Whitman and Nietzsche form a sort of triumvirate whose influence runs through large swaths of modern literature in their rejection of dualism and embrace of the body as good. Like many other poets, William Butler Yeats (1865-1939) combined an admiration for Blake with interest in Nietzsche.

 

Drama

 

George Bernard Shaw (1856-1950) expressed his version of Nietzsche's struggle for power in his play Man and Superman, and more than one character in the plays of Eugene O'Neill (1888-1953) is under Nietzsche's spell.

 

Influential ideas

 

If there are few names from the second half of the 20th century cited above it is not because Nietzsche's influence has dwindled. Rather it so pervades modern culture that many who have never read him are influenced by his thought indirectly. Consider the following ideas circulating in American culture today, all of them traceable at least in part to Nietzsche, although many of them are much simpler than similar ideas held by him:

 

·  The goal of life should be to find yourself. True maturity means discovering or creating an identity for yourself.   

·  The highest virtue is to be true to yourself (consider these song titles from a generation ago: "I Gotta Be Me," "I Did It My Way").   

·  When you fall ill, your body is trying to tell you something; listen to the wisdom of your body.   

·  People who hate their bodies or are in tension with them need to learn how to accept and integrate their physical selves with their minds instead of seeing them as in tension with each other. The mind and body make up a single whole.  

·  Athletes, musicians, etc. especially need to become so attuned to their bodies that their skills proceed spontaneously from the knowledge stored in their muscles and are not frustrated by an excess of conscious rational thought. (The influence of Zen Buddhism on this sort of thinking is also very strong.)   

·  Sexuality is not the opposite of virtue, but a natural gift that needs to be developed and integrated into a healthy, rounded life.   

·  Many people suffer from impaired self-esteem; they need to work on being proud of themselves.  

·  Knowledge and strength are greater virtues than humility and submission.   

·  Overcoming feelings of guilt is an important step to mental health.  

·  You can't love someone else if you don't love yourself.  

·  Life is short; experience it as intensely as you can or it is wasted.   

·  People's values are shaped by the cultures they live in; as society changes we need changed values.  

·  Challenge yourself; don't live passively.  

It is notable that none of these ideas flows from the traditional Judeo-Christian culture which dominated Europe for a thousand years. Many of them have their roots in Romanticism, with Nietzsche merely articulating impulses that others shared; but he is a major transmitter of them to the modern world.

 

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from: http://www.praxeology.net/zara.htm

Friedrich Nietzsche:
Thus Spoke Zarathustra (excerpts)

Zarathustra’s Prologue

3

When Zarathustra arrived at the edge of the forest, he came upon a town. Many people had gathered there in the marketplace to see a tightrope walker who had promised a performance. The crowd, believing that Zarathustra was the ringmaster come to introduce the tightrope walker, gathered around to listen. And Zarathustra spoke to the people:

I teach you the Overman! Mankind is something to be overcome. What have you done to overcome mankind?

All beings so far have created something beyond themselves. Do you want to be the ebb of that great tide, and revert back to the beast rather than overcome mankind? What is the ape to a man? A laughing-stock, a thing of shame. And just so shall a man be to the Overman: a laughing-stock, a thing of shame. You have evolved from worm to man, but much within you is still worm. Once you were apes, yet even now man is more of an ape than any of the apes.

Even the wisest among you is only a confusion and hybrid of plant and phantom. But do I ask you to become phantoms or plants?

Behold, I teach you the Overman! The Overman is the meaning of the earth. Let your will say: The Overman shall be the meaning of the earth! I beg of you my brothers, remain true to the earth, and believe not those who speak to you of otherworldly hopes! Poisoners are they, whether they know it or not. Despisers of life are they, decaying ones and poisoned ones themselves, of whom the earth is weary: so away with them!

Once blasphemy against God was the greatest blasphemy; but God died, and those blasphemers died along with him. Now to blaspheme against the earth is the greatest sin, and to rank love for the Unknowable higher than the meaning of the earth!

Once the soul looked contemptuously upon the body, and then that contempt was the supreme thing: -- the soul wished the body lean, monstrous, and famished. Thus it thought to escape from the body and the earth. But that soul was itself lean, monstrous, and famished; and cruelty was the delight of this soul! So my brothers, tell me: What does your body say about your soul? Is not your soul poverty and filth and wretched contentment?

In truth, man is a polluted river. One must be a sea to receive a polluted river without becoming defiled. I teach you the Overman! He is that sea; in him your great contempt can go under.

What is the greatest thing you can experience? It is the hour of your greatest contempt. The hour in which even your happiness becomes loathsome to you, and so also your reason and virtue.

The hour when you say: What good is my happiness? It is poverty and filth and wretched contentment. But my happiness should justify existence itself!

The hour when you say: What good is my reason? Does it long for knowledge as the lion for his prey? It is poverty and filth and wretched contentment!

The hour when you say: What good is my virtue? It has not yet driven me mad! How weary I am of my good and my evil! It is all poverty and filth and wretched contentment!

The hour when you say: What good is my justice? I do not see that I am filled with fire and burning coals. But the just are filled with fire and burning coals!

The hour when you say: What good is my pity? Is not pity the cross on which he is nailed who loves man? But my pity is no crucifixion!

Have you ever spoken like this? Have you ever cried like this? Ah! If only I had heard you cry this way!

It is not your sin -- it is your moderation that cries to heaven; your very sparingness in sin cries to heaven!

Where is the lightning to lick you with its tongue? Where is the madness with which you should be cleansed?

Behold, I teach you the Overman! He is that lightning, he is that madness!

And while Zarathustra was speaking in this way, someone in the crowd interrupted: "We've heard enough about the tightrope walker; now it's time to see him!" And while the crowd laughed at Zarathustra, the tightrope walker, believing that he had been given his cue, began his performance.

 

4  

Zarathustra, however, looked at the people and wondered. Then he spoke thus:

Man is a rope stretched between the animal and the Overman -- a rope over an abyss.

A dangerous crossing, a dangerous wayfaring, a dangerous looking-back, a dangerous trembling and halting.

What is great in man is that he is a bridge and not a goal: what is lovable in man is that he is an over-going and a down-going.

I love those that know not how to live except as down-goers, for they are the over-goers.

I love the great despisers, because they are the great adorers, and arrows of longing for the other shore.

I love those who do not first seek a reason beyond the stars for going down and being sacrifices, but sacrifice themselves to the earth, that the earth may become the Overman's.

I love him who lives in order to know, and seeks to know in order that the Overman may hereafter live. Thus he seeks his own down-going.

I love him who labors and invents, that he may build the house for the Overman, and prepare for him earth, animal, and plant: for thus he seeks his own down-going.

I love him who loves his virtue: for virtue is the will to down-going, and an arrow of longing.

I love him who reserves no share of spirit for himself, but wants to be wholly the spirit of his virtue: thus he walks as spirit over the bridge.

I love him who makes his virtue his inclination and destiny: thus, for the sake of his virtue, he is willing to live on, or live no more.

I love him who desires not too many virtues. One virtue is more of a virtue than two, because it is more of a knot for one's destiny to cling to.

I love him whose soul is lavish, who wants no thanks and does not give back: for he always gives, and desires not to keep for himself.

I love him who is ashamed when the dice fall in his favor, and who then asks: "Am I a cheat?" -- for he wants to perish.

I love him who scatters golden words in advance of his deeds, and always does more than he promises: for he seeks his own down-going.

I love him who justifies the future ones, and redeems the past ones: for he is willing to perish through the present ones.

I love him who chastens his God, because he loves his God: for he must perish through the wrath of his God.

I love him whose soul is deep even in the wounding, and may perish through a small matter: thus he goes willingly over the bridge.

I love him whose soul is so overfull that he forgets himself, and all things are in him: thus all things become his down-going.

I love him who is of a free spirit and a free heart: thus is his head only the bowels of his heart; his heart, however, causes his down-going.

I love all who are like heavy drops falling one by one out of the dark cloud that lowers over man: they herald the coming of the lightning, and perish as heralds.

Lo, I am a herald of the lightning, and a heavy drop out of the cloud: the lightning, however, is the Overman!"  

1. 11: The New Idol  

Somewhere there are still peoples and herds, but not with us, my brothers: here there are states.

A state? What is that? Well! open now your ears to me, for now I will speak to you about the death of peoples.

State is the name of the coldest of all cold monsters. Coldly it lies; and this lie slips from its mouth: "I, the state, am the people."

It is a lie! It was creators who created peoples, and hung a faith and a love over them: thus they served life.

Destroyers are they who lay snares for the many, and call it state: they hang a sword and a hundred cravings over them.

Where there are still peoples, the state is not understood, and is hated as the evil eye, and as sin against laws and customs.

This sign I give to you: every people speaks its own language of good and evil, which its neighbor does not understand. It has created its own language of laws and customs.

But the state lies in all the tongues of good and evil; and whatever it says it lies; and whatever it has it has stolen.

Everything in it is false; it bites with stolen teeth, and bites often. It is false down to its bowels.

Confusion of tongues of good and evil; this sign I give you as the sign of the state. This sign points to the will to death! it points to the preachers of death!

All too many are born: for the superfluous the state was created!

See how it entices them to it, the all-too-many! How it swallows and chews and rechews them!

"On earth there is nothing greater than I: I am the governing hand of God." -- thus roars the monster. And not only the long-eared and short-sighted fall upon their knees!

Ah! even in your ears, you great souls, it whispers its gloomy lies! Ah! it finds out the rich hearts which willingly squander themselves!

Yes, it finds you too, you conquerors of the old God! You became weary of conflict, and now your weariness serves the new idol!

It would set up heroes and honorable ones around it, the new idol! Gladly it basks in the sunshine of good consciences, -- the cold monster!

It will give everything to you, if you worship it, the new idol: thus it buys the lustre of your virtue, and the glance of your proud eyes.

Through you it seeks to seduce the all-too-many! Yes, a hellish artifice has been created here, a death-horse jingling with the trappings of divine honors!

Yes, a dying for many has been created here, which glorifies itself as life: verily, a great service to all preachers of death!

The state, I call it, where all drink poison, the good and the bad: the state, where all lose themselves, the good and the bad: the state, where the slow suicide of all -- is called "life."

Behold the superfluous! They steal the works of the creators and the treasures of the wise. Education, they call their theft -- and everything becomes sickness and trouble to them!

Behold the superfluous! They are always sick; they vomit their bile and call it a newspaper. They devour each other and cannot even digest themselves.

Behold the superfluous! They acquire wealth and become the poorer for it. They seek power, and the lever of power, much money -- these impotent ones!

See them clamber, these nimble apes! They clamber over one another, and thus pull each other into the mud and the abyss.

They all strive for the throne: this is their madness -- as if happiness sat on the throne! Often filth sits on the throne. -- and often also the throne on filth.

Madmen they all seem to me, and clambering apes, and too eager. Foul smells their idol to me, the cold monster: foul they all smell to me, these idolaters.

My brothers, will you suffocate in the fumes of their maws and appetites! Better to break the windows and jump into the open air!

Escape from their foul stench! Escape from the idolatry of the superfluous!

Escape from their foul stench! Escape from the steam of these human sacrifices!

The earth is yet free for great souls. There are still many empty sites for the lonesome and the twosome, surrounded by the fragrance of tranquil seas.

A free life is yet possible for great souls. He who possesses little is that much less possessed: blessed be a little poverty!

There, where the state ends -- there only begins the man who is not superfluous: there begins the song of the necessary, the single and irreplaceable melody.

There, where the state ends -- look there, my brothers! Do you not see it, the rainbow and the bridges of the Overman?

Thus spoke Zarathustra.